In Alison Bechdel's, Fun Home, this use of non-visual awareness is present in the father with his obsession with rebuilding antiques into shiny beautiful things to be admired like objects in a museum; and the family's ability to be "ideal" like the house and objects in the house. The family has become an extension of the father's "ideal home" and all are simply a cover up for the family's dark secret. If outwardly, people see a perfect family, and a perfect home, they are less likely to believe anything could be amiss.
Bechdel, A. (2006). Fun home: A family tragicomic (pp. 16-17). Boston: Houghton Mifflin.
McCloud, S. (1994). Understanding comics: The invisible art (pp. 37-39). New York: HarperPerennial.
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